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Star Cast

: Kay Kay Menon, Jimmy Shergill, Nandana Sen and Sonali Kulkarni

Director

: Anand Rai
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Aanand Rai who makes his directorial debut shows glimpses of a very promising career ahead with STRANGERS with not just the film's plot but its overall treatment.

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The promos have flashes of brief shots woven together for STRANGERS which appears to be a stylish thriller in the offering. Starring Jimmy Sheirgill and Kay Kay Menon in the lead, the film's storyline revolves around the two strangers who meet in a train and plan a shockingly devious inhuman plot. The emotional turmoil within them gets them involved in a dangerous and potentially deadly situation.
Director Aanand Rai has utilized various cinematic techniques that has maintained the mystery and intrigue through several plot twists, as his array of believable and sympathetic characters. The rushes of the film rave about the outstanding performance from its principal cast, which makes it more realistic.

STRANGERS is a well crafted emotional thriller with a masterful blend of intense excitement, suspense, high level of anticipation, uncertainty, anxiety, and nerve-wracking tension.

Synopsis :
An overnight journey, from Southampton to London, in a business class compartment is comfortable and expensive and the premise where two of the film’s protagonists, complete strangers to each other, meet, talk and decide that they would kill each other’s wife to rid each other of the hell they are trapped in.

The claustrophobia of the space of the compartment and the fact that the two people are not juxtaposed with each other but somehow meant to be there together is both exciting and repulsive.

Mr.Rai is a successful management giant, who on the face of it, is leading the life that everybody dreams of; Rahul, the flamboyant writer with a flop career is an existence that can only be an example but never an ideal.

Their conversations are interspersed with flashbacks, which reveal essential clues into these complex yet real characters. It is at this time when on one hand, we see the trauma that Rai was living through after his son’s untimely death and his wife Nandini subsequent insanity.

On the other hand is the beautiful relationship between Rahul and Preity that starts on an almost fantastical note with a hopeful Rahul and a loving Preity and ends with Preity turning cold towards him because of his obsessive ranting after the collapse of his career and their ending up living under the same roof as strangers.

Every moment between Rai and Rahul adds a piece to the big jigsaw puzzle and we see how every character is playing a game of wits with each other, a game that should be won at all costs not to establish a monarchy or absolute victory but to ensure their individual survival.

The second half of the film is about laying the cards out in the open. It is about the clandestine affair between Rai and Preity, a relationship borne out of both affinities and a need to find a refuge at the time when the relationship between Rahul and Preity has collapsed and Rai had given up on life. The battered individuals find solace in each other after a long ordeal with their individual realities.

What follows is deceit and living by the instinct for all of them. Rationality filters away painfully from their relationships and life and Rai and Preity decide that they would get Rahul to kill Rai’s wife Nandini and be framed for the murder.

An act that would play on their conscience forever and yet is the only possible way to eliminate the reason that would keep them apart.But their plan takes ugly twists and turns and their basic presumption that Rahul was oblivious of their relationship backfires and the backdrop of a thriller becomes a building block of two sincere and complete love stories.

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