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“Not
at all. Mallika was invited there as a member of a
team of the movie ‘The Myth’ - that was the
reason for her being there; because she was a core
member of the film. She had every right to be
there as a representative of her project.”
For
the Mani Rathnam film Lajjo weren’t you
the first choice before Kareena? The tabloids were
speculating that post the Mangal Panday
experience, Aamir wasn’t keen you do the
project?
“I
leave it to Manisir to comment; but the fact is
that he had spoken to me of Lajjo. Later,
he discussed Guru and I told him I’d do
any film with him because such is my relation with
him. ‘You’re my first director, my guru’,
I said. So what ever he asked I’d be happy to
do. He told me we’d be doing Lajjo later,
after Guru; It was ‘ yes’ from me and
here I am in Guru. I don’t know what
happened with Lajjo – I just heard of it.
That’s it and knowing Mani, I’m sure he has
the right reasons for it. He’s just so
clear-headed.”
Already
there’s talk of Dhoom 3 with you and Shah
Rukh in it.
“The
talk had a couple of names in it. But I always
leave it to the producer or director to make the
announcements. Unless there’s a team conducting
a press conference for it. There have been
speculations, yes; I did see my name featured
there as well but I leave it to Adi to make any
announcements if he sees me in the project.”
After
your sizzling screen chemistry with Hrithik, guess
people should simply flock to see the
‘good-looking Moghuls’ in Jodha Akbar,
is a story really needed?
“We’re
here in cinema, always telling a story. That’s
what creates the magic. That’s where the
director, the visionary plays the most important
role. He’s the captain of the ship. The magician
who takes the audience through a visual and
emotional journey. As long as you’re in the
narrative you won’t know whether it’s a visual
or emotional journey. That’s
when you capture the audiences’
fascination.’’
Comparisons
with Rekha’s Umrao Jaan and your adaa
have been fast and furious?
“I
say that we’re actors and we’re greedy and
we’re completely thrilled when we get fantastic
characters
to essay irrespective of whether they’ve been
captured before. In our cinema or in any
international cinema. Great characters are always
extremely inviting and we have the privilege to
replay them; that’s something I recognize,
respect, acknowledge. Every actress does not get
these opportunities. As for me having done a film
that’s been done wonderfully before; which Rekhaji
is synonymous with, I’m thankful for. To me
it’s an honour. In terms of comparisons, it’s
not me who has done so. It’s the media or the
audiences who do that. That goes with the
territory. I can only say that Rekhaji and
I have a wonderful relationship in sense of a
‘connection’ that was made even before I
joined films. She was probably amongst the first
people who’d seen me when one of my earliest
commercials was out I was at 16th Road, Khar, when
she spotted me, came upto me and said in her deep
haunting voice, ‘Ash’! We all turned around
and everybody was totally shocked on seeing Rekha
in a white salwar kameez, pink lipstick,
looking stunning. She said, ‘I’ve seen your
photographs and I know you will be in the movies.
You’re mine … I’ll see you around’.
Even now, wherever we meet, at public functions or
premieres, she’s always personally connected to
me. Very encouraging, always positive. I’m
thrilled that we’re compared in similar
vein”..
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